[ حمل ونقل عمومی ]پایانه ی بین المللی یوکوهاما

azam

عضو جدید
Foreign Office Architects
Yokohama International Port Terminal
Yokohama, Japan


Photo: arcspace
The brief of the Yokohama International Port Terminal asked for the articulation of a passenger cruise terminal and a mix of civic facilities for the use of citizens in one building. The site had a pivotal role along the city's water front that, if declared a public space, would present Yokohama City with a continuous structure of open public spaces along the waterfront.

Photo: arcspace
"Our proposal for the project start by declaring the site as an open public space and proposes to have the roof of the building as an open plaza, continuous with the surface of Yamashita Park as well as Akaranega Park.
The project is then generated from a circulation diagram that aspires to eliminate the linear structure characteristic of piers, and the directionality of the circulation."

FOA

Photo: arcspace

Photo: arcspace
The project starts with what the architects have named as the "no-return pier", with the ambition to structure the precinct of the pier as a fluid, uninterrupted and multi-directional space, rather than a gateway to flows of fixed orientation. A series of programmatically specific interlocking circulation loops allow the architects to subvert the traditional linear and branching structure characteristic of the building. Rather than developing the building as an object or figure on the pier, the project is produced as an extension of the urban ground, constructed as a systematic transformation of the lines of the circulation diagram into a folded and bifurcated surface. These folds produce covered surfaces where the different parts of the program can be hosted.

Photo: arcspace

Photo: arcspace
The relation between the skin and the areas established by the structural folds of the surface is one of the most important arguments of the project in that the folded ground distributes the loads through the surfaces themselves, moving them diagonally to the ground. This structure is also especially adequate in coping with the lateral forces generated by seismic movements that affect the Japanese topography.

Photo: arcspace

Photo: arcspace
The articulation of the circulation system with the constructive system through this folded organisation produced two distinct spatial qualities; the continuity of the exterior and the interior spaces and the continuity between the different levels of the building.

Photo: arcspace

Photo: arcspace
The architects have used a very reduced palette of materials and details in order to explore further the continuity produced by the topography. Single finishes extend on the upper or lower side of the topography regardless of exterior or interior condition.

Photo: arcspace

Photo: arcspace
All secondary system that are applied to the steel topography, mainly wood-deck flooring system, glazing system and fencing/handrail system use a single detail along the length of the building and only vary to explore the geometrical variation across spaces. The ambition was to construct continuous but differentiated spaces along the length of the pier.

Drawing courtesy FOA
Site Plan

Drawing courtesy FOA
First Floor Plan

Drawing courtesy FOA
Second Floor Plan

Drawing courtesy FOA
Cross Section
Visit the Image Library to download larger images.

منبع:http://www.arcspace.com/architects/foreign_office/yokohama/yokohama_index.htm
 

azam

عضو جدید
پایانه بین المللی بندر یو کو هاما_ژاپن
اثر: فرشید موسوی و الخاندرو زائرا_پولو
yokohoma international port terminal
farshid moussavi
alejandro zaera_polo​
منبع : کتاب معماری معاصر 2 (معماری دهه 90 در جهان)
تالیف:دکتر منصور سپهری مقدم​












 
آخرین ویرایش توسط مدیر:

azam

عضو جدید
Foreign Office Architects

Farshid Moussavi
Masters in Architecture ( MARCHII) , The Graduate School of Design, Harvard University, USA Dipl. Architecture Degree University College London University, The Bartlett School of Architecture, UK Bsc. Architecture, Dundee University, United Kingdom
Professional Record
1992 Established Foreign Office Architects, London.
1991- 1993 Office for Metropolitan Architecture, Rotterdam, Holland
1988 Renzo Piano Building Workshop, Genoa, Italy
Teaching
2002 Professorship at the Academy of Fine Arts, Vienna, Austria
2002 Visiting Critic University of California Los Angeles, USA
2001 Visiting Critic Columbia University, USA
1993- 2000 Unit Master Architectural Association School of Architecture, London, UK.
1999 Visiting Critic Princeton University, USA
1998 Visiting Critic Columbia University, USA
1997 Visiting Critic, Berlage Institute of Architecture, Amsterdam, Holland
1993- 1995 Design Professor at the Hoger Architectuur Instituut Sint-Lucas, Gent, Belgium.
Alejandro Zaera Polo
Master in Architecture with Distinction (MARCH II), Graduate School of Design, Harvard University, USA Dipl. Architecture Degree (Hons), E.T.S. of Architecture in Madrid, Spain
Professional Record
1992 Established Foreign Office Architects, London.
1991-1992 Office for Metropolitan Architecture, Rotterdam, The Netherlands.
Teaching
2002 - Dean of the Berlage Institute, The Netherlands
2002 Visiting Critic University of California Los Angeles, USA
2001 Visiting Critic Columbia University, USA
1993- 2000 Unit Master Architectural Association School of Architecture, London, UK
1999 Visiting Critic Princeton University, USA
1998 Visiting Critic Columbia University, USA
1997-present Visiting Critic, Berlage Institute of Architecture, Amsterdam, Holland 1992-1995 Associate Professor of Design at the E.T.S. of Architecture in Madrid, Spain.
October 28, 2002
Foreign Office Architects arcspace features


منبع : http://www.arcspace.com/architects/foreign_office/foa_bio.htm
 

mpb

مدیر تالار مهندسی معماری
مدیر تالار
پایانه ی بین المللی یوکوهاما

پایانه ی بین المللی یوکوهاما

[h=1] [/h]

پایانه ی بین المللی یوکوهاما یکی از مهم ترین پروژه های اجرا شده توسط فرشید موسوی و آلخاندرو سائرا پولو بین سال های ۱۹۹۷ و ۲۰۰۲ است. این طرح منتج از یک نمودار سیرکولاسیون و با هدف نوعی معماری ارائه شده است که فرم در آن چندان اهمیت ندارد. آن ها طرح را (اسکله ای بدون بازگشت) نامیده اند. و عمده هدف طراحان طراحی اسکله ای با حرکت سیال و بدون مکث بوده است.

تغییر و تحول طرح سازه ی پروژه منبع اصلی ایده های اجرای آن و سرمنشأ سلسله ای از یافته ها بوده است. طرح پیشنهادی صفحه های فولادی تاخورده با ایده ی کلی پروژه که ساختاری چین خورده داشت همخوان بود. ساختار مقوایی سازه به اوریگامی هنرکاردستی کاغذی ژاپن اشاره دارد. طرح پایانه ی بین المللی یوکوهاما بیش از آنکه ساختاری روی اسکله باشد به عنوان امتداد سطح شهر تلقی شده و همچون استحاله ای نظام مند از خطوط نمودار سیرکولاسیون در قالب پوسته ای تاخورده در دو شاخه ساخته شده است.

این تاخوردگی ها سطح سرپوشیده ای را به وجود می آورند که بخش های مختلف برنامه های طرح را تحقق می بخشند. ارتباط بین پوسته ی ساختمان و سطوحی که در اثر تاخوردگی های ساختاری سطح ایجاد می شوند یکی از مهم ترین مباحث پروژه را تشکیل می دهد. پوسته ای که بدین ترتیب چین دار شده است بارها را از طریق همین چین ها توزیع و آنها را به طور ضربدری به زمین هدایت می کند. این نوع سازه به ویژه برای مقابله با نیروهای جانبی ناشی از حرکت های زلزله طراحی شده است.



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