تپه های جعلی!

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تپه های جعلی!



در سایت ” Design Boom ” به مطلبی برخوردم که عنوانش ” معماران دیوانه ، تپه های جعلی ” بود . کنجکاو شدم مطلب را بخوانم . مطلب را دیدم و متوجه شدم موضوع از چه قرار است . موضوع این بود که شرکت معماری در چین مشغول به پروژه ای است که نتیجه اش می شود تصویری که در بالای این متن مشاهده می فرمائید و نام پروژه را گذاشته اند ” تپه های جعلی ” . جالب است بدانید این شرکت معماری ، با نام ” معماران دیوانه ” معروف شده است.برای مشاهده تصاویر بیشتر از این پروژه ی بزرگ ، به ادامه مطلب توجه فرمائید…
 

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پروژه ققنوس – طرحی از معماران دیوانه !(+عکس)

پروژه ققنوس – طرحی از معماران دیوانه !(+عکس)

گروهی از معماران هستند که نام خود را MAD گذاشته اند که در زبان انگلیسی معنای “دیوانه” هم می دهد . البته سازه هایی هم که آنها طراحی می کنند شایستگی این لقب را دارد ! تازه ترین طرح آنان ,مجموعه ای از ساختمانهاست که عنوان “پروژه ققنوس” را به آن داده اند و از 5 آپارتمان لوکس و یک هتل تشکیل شده است . این مجموعه در بندر سانیا در چین ساخته خواهد شد . نکته جالب این که برای اجرای این پروژه یک جزیره مصنوعی به مساحت 390 هزار متر مربع ساخته خواهد شد تا این ساختمانها بر روی آن قرار گیرند ! این جزیره که 1250 متر طول و 350 متر عرض خواهد داشت .با پل به بندر سانیا متصل خواهد شد.









 

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Absolute Towers

Absolute Towers

دو برج مسکونی و در حال ساخت هستند،در 24 نوامبر 2010 شروع به ساخت این برج ها کرده اند.ارتفاع این برج ها به 170 متر میرسد.
[h=2]Absolute Tower - Summary[/h] Client: Fernbrook Homes/Cityzen Development Group
Status: First prize in international competition. Under Construction
Location: Mississauga, nr Toronto, Canada
Type: Residential Apartments
Building Area: Phase 4: 45,000 sqm; Phase 5: 40,000 sqm
Building Height: Phase 4: 56 stories/170 m; Phase 5: 50 stories/150 m
Directors in Charge: Ma Yansong, Yosuke Hayano, Dang Qun
Design Team: Shen Jun, Robert Groessinger, Florian Pucher, Yi Wenzhen, Hao Yi, Yao Mengyao, Zhao Fan, Liu Yuan, Zhao Wei, Li Kunjuan, Yu Kui, Max Lonnqvist, Eric Spencer.






 

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Urban Forest

Urban Forest

MAD architects’ new project ‘Urban Forest’ is located in Chongqing, China.
Drawing on the mountainous landscape of the country, the commercial high-rise building, is made up of curved, abstracted shaped floors which have been layered slightly off-center from one another.













 

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Taichung Convention Center By MAD Architects

Taichung Convention Center By MAD Architects



Beijng architects MAD have designed a convention centre for Taichung, Taiwan.


The project will consist of a series of mountain-like buildings with pleated exterior surfaces, allowing natural ventilation and accommodating photovoltaic panels.



The architects wanted to seamlessly integrate the topology of the landscape and the architecture.


Here are some more details from Mad:

TAICHUNG
CONVENTION CENTER
2009
Beijing based MAD Architects has recently completed the design for the Taichung Convention Center, its first project in Taiwan commissioned by the Taiwanese government.


Taichung requires a metropolitan landmark that can go beyond the local to renew urban life and redefine the cultural landscape of the city, launching Taichung into the arena of world class cultural cites.


This requires unique architectural concepts and a new kind of architectural philosophy.


No longer characterized by mere considerations of height or visual impact, landmark buildings must first and foremost foster public recreation and inspire communication and imagination, redefining our relationship to culture and nature.


This project is conceived as a continuous weave of architecture and landscape, a futuristic vision based on a naturalistic spirit. The design inherits Chinese architecture’s long-standing attitude towards holistic integration and order of space, employing the essence of the East’s philosophy of a harmonized cycle between human and nature.


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In the face of the project’s enormous scale, the architecture no longer exists as a series of individual blocks, but instead is rendered as a collective form.


The resultant spaces come into focus in a natural order emerging from air, wind and light, fostering a resonance between human and nature.


The site and the program of this project are inherently high-energy. The ‘mountains’ provide a calming and unifying skin, and yet, under its calm surface, there are topological potentials waiting to be discovered.


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On the one hand, the architecture’s crater-shaped formation and resulting rotundas are the outcome of found site conditions.


On the other, it simultaneously shapes and influences the surrounding environment, opening up a dialogue between architecture and landscape.


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The surface of the ‘mountains’ is a high-tech, eco-friendly pleated skin system. The smocking-like envelope provides air flow to the building while keeping energy consumption at a minimum by utilizing solar energy.


The open courtyards that connect the individual mountains are integrated into a natural sequence of outdoor spaces.

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Like the quest for a harmonic coexistence between people and nature exemplified by Forbidden City and ancient Chinese gardens, this project seeks greater meaning in its non-material qualities, spaces encircled with the upmost naturalistic spirit.

 
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